Inspired by neural pathways/neural plasticity/brain function. Sort of an abstract/colorful representation of neuroscience. (Nothing about this is actually scientific haha, just my own artistic interpretation)
5″x7″ watercolor on paper (left) 18″x24″ watercolor on paper (right)
Digitally-manipulated version (below)
Three versions of the same painting, “The Music Became Honeyed”.
Abstracted nature. Petals, leaves, branches, hills and mountains fragmented, re-imagined and arranged into a fluent composition.
I loved this composition so much, I did it in two sizes (both slightly different of course) and then manipulated it digitally to create a new kind of harmony within the painting. The result was a unique, entirely new symmetrical/mirrored/balanced piece.
Do not copy or reproduce any images without permission.
Leave a comment below or contact mehere if you wish to purchase this piece.
This is one of my favorite pieces that I’ve made this year! The composition just appeared naturally and effortlessly from a spontaneous under-painting. The flow of shapes and colors just makes me happy to sit and stare at.
(In progress photos– under-painting and peek of color swatch/notes during the painting process)
*This painting is available, contact me if you’re interested in purchasing!
I painted/designed the cover for this beautiful book full of empathy, fierce women, and a touch of magic realism…
Have you ever read a fiction book with a chronically ill main character? (Probably not, right?) Any young woman with an invisible illness/disability will see herself in this book, and anyone else will gain some much-needed insight into the lives of women who are “still sick”.
I’m sure I’m not the only one who’s been asked that question, too- “You’re still sick?” goes hand-in-hand with “but you don’t look sick!” and “get well soon!” after you’ve just said you have a c h r o n i c illness. Yup. Thank you [sarcasm].
I went many years trying to hide my illness. I didn’t want to appear like I was complaining or exaggerating (which I think is very common particularly for young sick women who are often dismissed as “faking” symptoms), and I didn’t want it to define me. I wanted people to remember me for my work, my art, not as “the sick girl”.
But I did myself a disservice by doing this. Illness is a part of me. It has shifted my priorities and dictated my time. I would spend however long my body allowed me to “act normal” and then I would go home and collapse. I would have to recover from doing normal things. I had to schedule my time so wisely.
No one knew in my college classes that being there that day meant I would not be able to cook dinner that night. That the energy I expended on learning and working those couple of hours would mean I’d spend the next day holed up in a dark bedroom waiting for a migraine or some other unbearable pain to lessen. I had to plan my days around tasks like showering (if I did that before class I might faint while standing waiting for the bus, so I’d try to shower the night before, etc etc etc…. endless planning of things most people don’t even think about. #spoontheory)
Looking back, I wish I had shared more with my friends, family, professors, etc. Perhaps if they were open to learning about chronic illness, I could’ve helped spread some empathy. They would’ve been a little more understanding of the next person they met. Perhaps they would consider that just because someone doesn’t LOOK sick, doesn’t mean they aren’t. They would know that despite what popular movies and books portray, illness does not end in only death or miracles. Sometimes you get sick and just stay sick and that is your new reality.
I no longer want to hide my illness. Years of misdiagnosis meant years of extreme suffering. But I am finally beginning to heal and want to share all parts of myself and my art, not just the pretty end products! There is so much more to come!!
Another music-into-art work. Shapes and colors composed to visually represent music. I think there’s an interesting sense of motion in this piece, moving from the detailed layers at the bottom (which could translate to individual notes in a piece of music) to the free-flowing shapes at the top (which represents more of the emotional component and over-all feeling of a certain song).
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